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The
loading process can take quite a while. The wadding an
placement of each pot is critical to their eventual
outcome. When the kiln is stacked, and the door bricks
placed, we are ready to fire. We'll slowly take the kiln
up to cone 10 over the next 24 hours, starting out only
stoking the front stokebox, and eventually moving back to
put wood in the side stokeholes as the color and heat of
the front moves back through the stack. |
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Once above
cone 10, we'll start cycles of reduction and oxidation for
the next 2 1/2 to 3 days, 24 hours a day, until cone 13 is
over in the front, and at least 10 is over all the way
back and through the kiln. In the large anagama, we'll
burn through a good 5 cords of wood in a firing. After
firing, we cool the kiln for a week. This are some of the
longest weeks of my life.. Opening a wood kiln firing is
like opening a treasure chest. There are so many
surprises. It's hard work, but the results are worth it. |
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Some of my favorite wood fire slip &
glaze recipes
Old
Black Magic Tenmoku |
Tony's
Blaze Slip |
Thorbjorn
Bronze Slip |
Pumice
Jade Celadon |
7.2
- Om4 Ball Clay
58.7 - Custer Feldspar
21.7 - Flint (silica)
12.4 - Whiting
1 - Tin Oxide
7.7 - Iron Oxide |
41
- Nepheline Syenite
41 - Calcined alumina
12.5 - Epk
5.5 - Bentonite
nice bright orange slip use thin
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27.7
- Black copper oxide
45.46 - Manganese dioxide
18.18 - Epk
9.09 - Om4 ball clay
Apply to bisque, can run
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80
- Pumice
20 - Wollastonite
2 - Bentonite
Stir well!
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